| Monday, November 21, 2005 Tank Farm Art |
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The graffiti artists of Portland long ago set their sights on the tank farm of South Portland as a irresistible canvas just begging for paint. But the tanks were always out of reach, said Tim Clorius, one of Portland's emerging public artists. "In this day and age, it wouldn't be a very good idea to just walk up there at night with a backpack on, you know. . .," he said. "But those (tanks) would be great for so many things. It is prime, clean canvas." Canvas, indeed, agrees the newly formed Maine Center for Creativity and Sprague Energy Corp., owners of the tanks. And so, on Dec. 1, the Center for Creativity will launch its first major art project a contest to come up with the best artistic concept for five tank walls and 24 tank tops at the farm. "The mission (of the center) is to create projects and programs which contribute to the vitality of the message of creative economy," said Jean Maginnis, executive director of the center. "This is an open design competition. We're basically looking to have as many artists as possible respond to us to give us a conceptual idea." The deadline, she said, is March 1, but some Portland Press Herald readers already have made their minds up about what should and should not appear on the tanks, after a story about the contest ran on Oct. 12. In a flood of e-mail, many people said they should be painted with Maine things loons and lobsters and such. Others want them to visually pay tribute to Maine's seafaring history or historical events. A few people said they should not be decorated at all. But the one theme that resounded in almost every response was this: Keep it local. "I drive by those tanks every day . . . And I say 'Yes, paint them,' " said Dave Marshall, 27, of Portland. "But, I believe you should send this out statewide. Not worldwide. "We have an unmeasurable amount of talent here at home and who better to express that love of home than people who live here." Marshall, an artist who paints in bold, vibrant acrylics, loves the idea and plans to submit a concept. So does Clorius, a 2002 Maine College of Art graduate. At 29, he has come full circle from being an underground graffiti artist, leaving his "SubOne" tag on buildings around the city, to a graffiti artist with a purpose. "There is a place for graffiti as vandalism in a community because it is free speech and at the same time it is anti-authority," he said. "But I do think there is also a place for evolved graffiti art." Like, the tanks for example. Or other places where his graffiti-inspired public works of art already stand, such as the fence surrounding the Munjoy Hill Community Center. Even though the "SubOne" that lives within would love to hit the tanks with an aerosol assault, the grown-up Clorius now a serious, large-scale-canvas public artist is considering this submission: Paint each tank to blend in with the surroundings the same trees, horizon, houses, and such but each cloaked in a different season. "You would look at them from the end of the Maine State Pier, and at each season, one of them would blend in," he said. Becky Fitzpatrick has for a long time also thought of splashing the tanks with art. The 31-year-old collage artist votes "no" on lighthouses. She also votes "no" on president portraits. "They're all over our money, they don't need to be all over everything else," she said. Her most resounding no vote, though, goes to keeping them as they are. "Seals and whales would be a vast improvement over these vast industrial things," she said. "I think there is so much room to go above and beyond (seals and whales). I would hope people would be open minded." If she could put art on the tanks she would cover them with thousands and thousands of hands, her latest fascination. "People speak with their hands. They use them for everything," she said. Since she doesn't thrill to the idea of painting a 40-foot-high tank, she gives Clorius the nod for the job. She rallies for the tanks to become the canvas Portland's graffiti artists have always desired. Sure it would be a dream come true. But Clorius would be just as happy to know that whatever art ends up on the tanks is local art. "It's a liberal city, very friendly to the arts, it is becoming diverse culturally," he said. "That's what we want to project. Why not show off the cultural side of the city. (The tank farm) could be turned into a landmark on the East Coast. It could be a piece of pride for the city of Portland." Staff Writer Giselle Goodman can be contacted at 791-6330 or at: ggoodman@pressherald.com |
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Reader Comments
Who should get a chance to decorate the tanks?